SSE018 - 09072024_Audrey Chen, Margareth Kammerer & Rebbeca Lane, Mason Lindahl, Dylan Kerr

July 9 | 7 pm | stray signals ft. Mason Lindahl, Dylan Kerr, Audrey Chen, Margareth Kammerer + Rebecca Lane

You’re welcomed to join us for a night of electroacoustic music and experimental song at 90mil, featuring:

Mason Lindahl

Mason Lindahl is a guitarist and composer based in New York City. He is known for his minimal compositions combined with a dense finger-picking style and extreme use of the classical guitar as an instrument. After the worldwide success of ‘Kissing Rosy in the Rain’, out on Tompkins Square in 2021, Mason will present material from his forthcoming record, joined on stage by producer and composer Sam Slater on electronics.

https://tompkinssquare.bandcamp.com/album/kissing-rosy-in-the-rain

Dylan Kerr

Working within improvisation, process composition, and just intonation, Dylan Kerr's musical output links their research into sacred music and extended vocal techniques. They have recently been composing for sine waves, pipe organ and voice. Dylan will present a new piece for electric guitar, E bow, voice and sine waves joined on stage by Alf Brooks.

https://www.instagram.com/dylan__kerr/

Audrey Chen

Presenting her solo ‘hyper-extensions for voice and analog electronics’, Chen’s work delves deeply into her own version of narrative and non-linear storytelling. Based in Berlin, her playing explores the combination and layering of an analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.

https://www.audreychen.com/untrainingtheear

Margareth Kammerer + Rebecca Lane

Berlin-based singer Margareth Kammerer has been developing her own, sparse yet sharp and moving form of experimental song in Berlin's contemporary and improvised music scene for the past three decades. She will present songs from her forthcoming album for voice and electric guitar with texts by poets Virginia Woolf and Clio Nicastro, accompanied by Rebecca Lane on flutes and reeds. Rebecca Lane is a musician who explores intonation, focusing on extended just intonation, alternative tuning systems, and the perceptual and relational aspects of sounding/activating this material with others.

https://mikroton.bandcamp.com/album/why-is-the-sea-so-blue

https://www.sacredrealism.org/artists/rebecca-lane/audio/

Location : 90mil (An der michaelbrücke 1)

If you’re struggling financially and would like to attend, don’t hesitate to mail straysignalsbln@gmail.com and we’ll arrange a reduced list.